New Commissions by 100 Women Marking Centennial of 19th Amendment Debut Online August 18

  • August 04, 2020 14:22

  • Email
Renee Cox, Chillin; with Liberty, 1998. Courtesy Renee Cox.

100 Women Artists and Cultural Creators Respond to Centennial of the 19th Amendment and 100 Years of Women’s Suffrage in America in the Context of COVID and Black Lives Matter

On August 18, marking the centennial of the ratification of the 19th Amendment, Park Avenue Armory and lead partner National Black Theatre, together with nine other New York City cultural institutions, will unveil the next phase of the 100 Years | 100 Women initiative. The project was launched in February 2020 with a day-long symposium and the announcement of the 100 commissioned artists and cultural creators who were invited to respond to and interrogate the complex legacy of women’s suffrage through their creative practices. In the time since, the creation of new works by the participants—including Zoë Buckman, Staceyann Chin, Karen Finley, Ebony Noelle Golden, Andrea Jenkins, Meshell Ndegeocello, Toshi Reagon, Martha Redbone, Carrie Mae Weems, and Deborah Willis—has been shaped by the COVID-19 pandemic, social distancing, #BlackLivesMatter, and a divisive election season. In lieu of the in-person celebration of the commissions that was planned for the spring, the Armory is hosting an online launch party streamed on YouTube on August 18 at 2pm, which will feature a sneak peek at select commissioned works, remarks by artists and partner organizations, and appearances by special guests including Maya Wiley, Susan Herman, Jari Jones, Tantoo Cardinal, Rita Dove, Catherine Gray, and the Kasibahagua Taíno Cultural Society. The event will also include the premiere of a short film by Armory/Museum of the Moving Image-commissioned filmmaker Shola Lynch documenting the inspirations and processes behind the participants’ contributions, as well as the ways in which the issues of the current moment have informed their work.

Immediately following the launch party on August 18, the Armory will publicly debut an interactive digital archive of the initiative that provides access for audiences to explore each participant's profile and creative work, as well as additional resources. On this website, audiences will be able to view all the projects created for the initiative, including:

  • Hold on Tight, Carrie Mae Weems’ stirring video portrait honoring her mother
  • The installation The Right to Vote: ‘Women’s Work Never Praised/Never Done!’ A Reimagining by Deborah Willis, which is comprised of photos and images focused on women's labor, dress and domestic work alongside images of Black women suffragists in the early 20th century
  • A portrait of 100 Indigenous Women of Turtle Island (North America) created by Indigenous beadwork maker Joselyn Kaxhyek Borrero (Tlingit of Yukon, Canada) and Roberto Borrero (kasike (chief) of the Guainía Taíno tribal community)
  • The Last Gasp, a video created by Split Britches duo Peggy Shaw and Lois Weaver that includes meditations on the last breaths of victims of police brutality
  • Equality Tea, a performance by Jaime Sunwoo drawing parallels between the fraught histories of the tea trade and the suffrage movement
  •  A powerful self-portrait series by disability inclusion activists, including actresses Marilee Talkington and Christine Bruno
  • The Future of Feminism Is Only As Powerful As the Future of Anti-Racism, an original piece by artist and poet Cleo Wade, which articulates a call to action asking us to build holistically and intersectionally

“On August 18, with our lead partner National Black Theatre and nine other New York institutions, the Armory will unveil 100 commissioned works in video, spoken work, theater, photography, dance and other art forms by 100 extraordinarily talented women artists and cultural creators. The works reflect not only the complexity of women’s suffrage, but also the issues of rights and recognition in the era of COVID-19, Black Lives Matter protests, and the lead-up to a critical presidential election,” said Rebecca Robertson, Founding President and Executive Producer of Park Avenue Armory . “Collectively, the works form a profound and thought-provoking archive from an unprecedented time that will live beyond the unveiling and watch party. We are so grateful to the artists and to the institutional partners for their commitment, perseverance, and insights.”

“This project is an incredible opportunity of uplifting and connecting communities together. In a time of so much civic unrest, this is our present pulse, our day-to-day mission: knocking down these walls and shining lights in the darkest corners of our own stories. We are honored to work in partnership with the Park Avenue Armory and nine other fantastic sister organizations to present this event which stands at the nexus of gender, identity, and representation. Through this short, the archive, and website we aspire to help us as a community to continue a conversation our founder, Dr. Barbara Ann Teer, and her contemporaries were part of more than fifty years ago,” said Sade Lythcott, CEO of National Black Theatre.

Commissioned artists, activists, scholars, community leaders, and collectives include:

  • 100 Indigenous Women, Multidisciplinary
  • 17 Armory Youth Corp students, Multidisciplinary
  • Abdu Ali, Music
  • Sama Alshaibi, Visual Art
  • Zalika Azim, Visual Art
  • Lucas Balmaceda Pascal, Drama
  • Jennifer Baumgardner, Journalism
  • Stephanie Berger, Photography
  • Zoë Buckman, Visual Art
  • Christine Bruno, Acting/Disability Activist
  • Rashida Bumbray, Performance Art
  • Vinie Burrows, Performance/Activism
  • Jayla Chee, Music
  • Sofiya Cheyenne, Performance/Activism
  • Staceyann Chin, Spoken Word
  • Olivia Chindamo, Music
  • Elizabeth Colomba, Visual Art
  • Renee Cox, Visual Art
  • Jennifer Ling Datchuk, Visual Art
  • Caridad (La Bruja) De La Luz, Spoken Word
  • Rose DeSiano, Visual Art
  • LaTasha N. Nevada Diggs, Multidisciplinary
  • Catherine D’Ignazio, Data Literacy
  • Abby Dobson, Sonic Conceptual Performance Art
  • Nekisha Durrett, Visual Art
  • Joan Dwiartanto, Dance
  • Lady Dane Figueroa Edidi, Performance
  • Adama Delphine Fawundu, Visual Art
  • Gayle Fekete, Dance
  • Karen Finley, Visual Art
  • Kaiama L. Glover, French & Africana Studies
  • Ebony Noelle Golden, Performance Art
  • Sarah Gooch, Music
  • Amanda Gookin, Music
  • Melissa Cobblah Gutierrez, Dance
  • Jasmine Hearn, Performance & Dance
  • Susan Herman, ACLU/Constitutional Law
  • Andrea Jenkins, Politics/Performance Art
  • Michi Jigarjian, Artist/Facilitator/Educator
  • Christine Jones, Scenic Design
  • Chanon Judson, Dance
  • Tendayi Kuumba, Dance
  • Kate Clarke Lemay, Museum Curation
  • Mimi Lien, Scenic Design/Architecture
  • Shola Lynch, Film
  • Tsedaye Makonnen, Visual Art
  • Love Muwwakkil, Dance
  • Premilla Nadasen, History of Race & Gender
  • Meshell Ndegeocello, Music
  • Lorie Novak, Visual Art
  • Zoe Obadia, Music
  • Michele Pred, Art/Activism
  • Alba Pujals-Roigé, Music
  • Toshi Reagon, Music
  • Martha Redbone, Music/Activism
  • Jewel Rodgers, Spoken Word
  • Yelaine Rodriguez, Visual Art
  • Hannah Rosenzweig, Film
  • Rhonda Ross, Multidisciplinary
  • Risha Rox, Interdisciplinary
  • Wendy Sachs, Film
  • Maggie Scrantom, Drama
  • Peggy Shaw, Theater
  • Lakshmi Shyamakrishnan, Acting
  • Karina Aguilera Skvirsky, Multidisciplinary
  • Samantha Speis, Dance
  • Jaime Sunwoo, Performance/Multimedia
  • Marilee Talkington, Acting/Disability Activist
  • Murielle Borst Tarrant, Theater
  • Henu Josephine Tarrant, Theater
  • Katherine Toukhy, Mixed Media
  • Carmelita Tropicana, Performance Art
  • S. Katy Tucker, Video/Projection Design
  • Sahar Ishtiaque Ullah, Theater
  • Imani Uzuri, Music
  • Elaisa Van Der Kust, Performance & Dance
  • Cleo Wade, Literature
  • Mikaila Ware, Performance & Dance
  • Lois Weaver, Theater
  • Carrie Mae Weems, Multidisciplinary
  • Lark White, Drama
  • Deborah Willis, Visual Art
  • Eryn Wise, Indigenous Media Curation
  • Pamela Z, Music/Composition

100 Years | 100 Women launched in February 2020 as part of the Armory’s annual “Culture in a Changing America” symposium, which this year convened artists, activists, scholars, and civic and cultural leaders for a day of conversations, performances, and salons reflecting on womanhood, citizenship, intersectional feminism, and the myriad ways in which artists navigate these issues. Collectively, the eleven partner institutions nominated 100 artists, activists, scholars, students, and community leaders to respond to the centennial with new work to be presented as part of a gathering, showcase, and celebration originally scheduled to take place in the Armory’s Wade Thompson Drill Hall this past spring. With the unforeseen impacts of COVID-19, which led to the cancellation of this in-person culminating event, the project and many of the commissioned works have evolved to respond to the volatile times in which it was created. 100 Years | 100 Women now acknowledges not only the fight for gender equality and women’s right to vote, but also reckons with the long thread of history that has led us to this tumultuous moment, uplifting the voices of creatives, activists, and thought leaders working to unpack it.

In addition to Park Avenue Armory and National Black Theater, the group of commissioning partners includes Apollo Theater; The Juilliard School; La MaMa Experimental Theatre Club; The Laundromat Project; The Metropolitan Museum of Art; Museum of the Moving Image; National Sawdust; New York University (Department of Photography and Imaging, Tisch School of the Arts; Office of Global Inclusion, Diversity, and Strategic Innovation; and Institute of African American Affairs & Center for Black Visual Culture); and Urban Bush Women.

100 Years | 100 Women is part of the Armory’s Interrogations of Form conversation series, which unites artists, thought leaders, and social trailblazers for creative, multidimensional explorations of today’s social and cultural landscape.

Additional details will be announced at To register to attend the viewing party, visit

  • Email

More News Feed Headlines

Joseph Mallord William Turner (1775-1851) Sunset, 1830-5.

After 13 Years, ARTFIXdaily to Cease Daily News Service

  • ArtfixDaily / August 15th, 2022

ARTFIXdaily will end weekday e-newsletter service after 13 years of publishing art world press releases, events and ...

Einar and Jamex de la Torre, Critical Mass, 2002 (Courtesy of the Cheech Marin Collection and Riverside Art Museum).

Inaugural Exhibition at The Cheech Highlights Groundbreaking Chicano Artists

  • ArtfixDaily / July 7th, 2022

One of the nation’s first permanent spaces dedicated to showcasing Chicano art and culture opened on June ...

Jacob Lawrence,.  .  .  is life so dear or peace so sweet as to be purchased at the price of chains and slavery?—Patrick Henry,1775 , Panel 1, 1955, from Struggle: From the History of the American People, 1954–56, egg tempera on hardboard.  Collection of Harvey and Harvey-Ann Ross.  © 2022 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York.

Crystal Bridges Explores the U.S. Constitution Through Art in New Exhibition 'We the People: The Radical Notion of Democracy'

  • ArtfixDaily / July 7th, 2022

Original print of the U.S. Constitution headlines exhibition sponsored by Ken Griffin (who purchased it for $43.2 ...

Salvador Dalí (1904–1989), Christ of St John of the Cross, 1951, oil on canvas © CSG CIC Glasgow Museums Collection

Dalí / El Greco Side-by-Side Exhibit Prompts: 'Are They Really Paintings of the Same Thing?'

  • ArtfixDaily / July 6th, 2022

From July 9 to December 4, 2022, The Auckland Project in the U.K. will unite two Spanish masterpieces from British ...