The Wolfsonian­–FIU Seeks New Heights With 'Aerial Vision' Exhibition

  • June 23, 2021 10:55

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Table, 1939. From the Robert H. Scanlon residence, San Francisco. Archibald Taylor (American, 1902 – 1979) Ferrari, Fischer & Ferrari, San Francisco, maker Maple, glass, metal, birch. The Wolfsonian – Florida International University, Miami Beach, Florida
Painting, c. 1925. Chin (pseudonym for Enrico Castello; Italian, 1890–1966) Oil on board. The Wolfsonian – Florida International University, Miami Beach, Florida, The Mitchell Wolfson, Jr. Collection of Decorative and Propaganda Arts, Promised Gift, 84.5.14
Mural study, History of Transportation: Aviation, 1944. Dean Cornwell (American, 1892 – 1960) New York City. Oil, graphite, and foil on paper. The Wolfsonian – Florida International University, Miami Beach, Florida. , The Mitchell Wolfson, Jr. Collection , XX1990.3140
Print, Man’s Canyons, 1936. Samuel L. Margolies (American, 1897 – 1974) New York City. Etching, aquatint The Wolfsonian – Florida International University, Miami Beach, Florida, The Mitchell Wolfson, Jr. Collection, 83.4.32
Print, Parachute Practice, 1942. Harry Gottlieb (American, b. Romania, 1885- 1992) New York City. Silkscreen. The Wolfsonian – Florida International University, Miami Beach, Florida, The Mitchell Wolfson, Jr. Collection, XX1991.446
Painting, Ritratto del pittore futurista Verossì [Portrait of futurist painter Verossì], 1940. Renato Di Bosso (Italian, 1905–1982) Verona. Oil on Masonite. The Wolfsonian – Florida International University, Miami Beach, Florida, The Mitchell Wolfson, Jr. Collection, XX1989.5

Drawing largely from its renowned collection of art and design, The Wolfsonian­–FIU will examine modern-age ambition in Aerial Vision, an exhibition about progress, promise, and perspective on view November 19, 2021 through April 24, 2022. The show will shed light on seismic changes brought in the early 20th century by new inventions—airplanes, skyscrapers, elevators, and beyond—and probe considerations of power and privilege that come with the expanded ability to gaze up, look down, and move with speed.

Aerial Vision includes more than 100 works ranging from large-scale paintings to prints, drawings, and magazine covers, an array of media that captures the connection between these shifts in perception and an emerging modern ethos. The exhibition will also home in on Miami’s significance as a travel hub, in which a rapidly developing aviation industry profoundly shaped the city’s growth.

“It is hard for us now, more than 100 years later, to imagine the excitement surrounding the advent of skyscrapers and airplanes and to grasp their impact,” said curator Lea Nickless. “Everyone from office workers to artists and designers were affected by these newly accessible views, incorporating them into a modern consciousness that manifested in fresh creative approaches and a forever altered relationship to the larger world.”

The materials on view reflect the wide range of awe-inducing experiences that suddenly became possible in the early 20th century, as well as the emotional responses they provoked: reverence, anxiety, and even fear. While many artworks express optimism for these modernizing changes—capturing a sense of hope, ownership, or pride—some artists and designers allude to the darker sides of this technological revolution set in the skies: the dangers of falling bombs and parachutes, the need for protective camouflage, the feeling of alienation and suffocation found in city streets shadowed by skyscrapers. Aerial Vision covers the full spectrum of this new landscape, from the mundane (window washing scenes, aerodrome plans) to reverent (the “cult of the pilot”) to breathtaking (bird’s-eye views of cityscapes) to fantastic (skyscraper airports).

Highlights of the show are:

  • Four 1944 studies by artist Dean Cornwell for his mural in Rockefeller Plaza’s former Eastern Airlines Building, with allegorical figures of flight and transportation;
  • Schultze & Weaver’s 14-ft-tall c. 1929 watercolor of the Waldorf-Astoria;
  • Various aeropitture, Italian Futurist works from the 1930s by artists such as Chin (Enrico Castello), Renato Di Bosso, and Tullio Mazzotti;
  • Aviation-themed Japanese board games for children;
  • A skyscraper-inspired bookcase designed by Paul Frankl; and
  • Air Raid II, Virginia Berresford’s late-1930s anti-war painting demonstrating defiance against civilian bombings of the Spanish Civil War.

“The Wolfsonian collection uniquely positions us to tell stories of profound change,” said acting director Casey Steadman. “Only through historical material can we understand how revolutionary this remarkable era truly was. Aerial Vision will provide a glimpse, through the eyes of those who witnessed it firsthand.”


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