New Orleans Museum of Art Acquires Transformative Gift of Photography from Dr. Russell Albright

  • February 04, 2021 11:56

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Brassai (Gyula Halasz) (Hungarian - French, 1899 - 1984) Lovers, Rue Saint Denis, 1931. Gelatin silver print Gift and bequest of H. Russell Albright, M.D., 91.521
Sally Mann (American, born 1951) Deep South, Untitled (Stick), 1998. Gelatin silver print, toned with tea. Bequest of H. Russell Albright, M.D., 2020.1.80
Man Ray (American, 1890 - 1976) Nude Portrait of Nusch Eluard from Facile, 1935. Gelatin silver print. Gift and bequest of H. Russell Albright, M.D., 91.522
Manuel Alvarez Bravo (Mexican, 1902 - 2002) And At Night It Moans, ca. 1945. Gelatin silver print Gift and bequest of H. Russell Albright, M.D., 91.534
Cindy Sherman (American, born 1954) Untitled #225, 1990. Chromogenic print. Gift and bequest of H. Russell Albright, M.D., 92.834
Robert Mapplethorpe (American, 1946 - 1989) New Orleans Interior, 1982. Gelatin silver print. Bequest of H. Russell Albright, M.D., 2020.1.38

Noted radiologist and art collector Dr. H. Russell Albright (1934-2017) bequeathed his extensive and important photography collection to the New Orleans Museum of Art (NOMA), and left a fund to create an endowment in support of the museum’s Department of Photographs. Dr. Albright had a long and significant relationship with NOMA, filling many roles over the span of 30 years, ranging from Board Trustee to longtime Fellow.  

“Russell Albright was generous and influential in his involvement with the museum during his lifetime, and his devotion to collecting served as a model for others in our community,” says Susan Taylor, Montine McDaniel Freeman Director of NOMA. “His collection will serve as the core of contemporary photography at NOMA and the accompanying endowment fund will ensure that his legacy at the museum will live on.” 

Albright was born in Little Rock, Arkansas, and attended the University of the Ozarks and the University of Arkansas Medical School. In the 1960s, he moved to New Orleans, where he did his residency at Ochsner Foundation Hospital, then ultimately joined his former radiology resident colleague from Ochsner, Abner M. Landry, Jr. M.D., and together founded Landry-Albright Radiology Group, Inc. at Mercy Hospital in 1968. Along with long-time partner Michael Myers, Albright began collecting contemporary photographs in 1988. By 1991, he had amassed a collection vast enough to produce a major exhibition at NOMA, entitled Altered Truths: Contemporary Photography from the Michael Myers/Russell Albright Collection. A second exhibition, titled Recent Appearances, comprised of a completely different selection from the collection, followed in 1998.

Dr. Albright always intended for his collection to permanently reside at NOMA. For that reason, he often collected works that would allow NOMA to tell a fuller history of photography. As he put it, he sought out photographs that “I don’t necessarily love, but that I respect, that I feel are important, that should be available to people in this community, and that should be preserved.”

With his bequest to NOMA, Albright gave almost 400 works to the museum, more than 350 of which were photographs. Of these, the majority are by acknowledged contemporary masters such as Cindy Sherman, Lorna Simpson, Nan Goldin, and Thomas Ruff, and the collection also includes a smaller group of excellent prints by earlier twentieth century artists such a Man Ray, Brassaï, and Doris Ulmann. Additionally, substantial and generous works were gifted to the modern and contemporary art department, the decorative arts department, and the African art department.

“Russell Albright’s eye was incredibly discerning, a trait that is visible across his collection, be it in his selection of a rich modernist print from the 1930s or a powerful contemporary photograph” says Russell Lord, NOMA’s Freeman Family Curator of Photographs. “Albright never shied away from adventurous or even controversial images, amassing a collection that is as critical as it is beautiful.” 

In addition to the gift of works of art, Dr. Albright left a fund to be devoted to the photography department’s activities. As with the collection he bequeathed, the fund will have a significant impact on NOMA’s presentation and interpretation of the history of photography in perpetuity. 

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