German Artist Tells Court His Forgeries Were "Too Good"

  • September 28, 2011 17:22

  • Email
"Red Picture with Horses," which sold as a Heinrich Campendonk at a Cologne auction for €2.9 million ($3.7 million), was later tested scientifically and determined to be a fake by Beltracci.

In Germany's biggest art forgery trial, the artist accused of faking millions of euros worth of expressionist paintings has told the court that he enjoyed fooling the art market.

"I didn't much like the art market or the dealers," Wolfgang Beltracchi, 60, said. "I really enjoyed doing it. You have to know how the art market functions and where the greediness is greatest."

Around 47 works by artists including Max Ernst, Max Pechstein, and Heinrich Campendonk were allegedly forged and sold by Wofgang and his wife Helene.  The indictment involves only those identified as fake which sold in excess of $20 million total, funding a lavish lifestyle for the accused couple. (About 33 works are suspected forgeries.)

The dubious duo broke their silence for a plea bargain that might land them just six years in prison.

Beltracchi testified, "In my thoughts, I created an original work, an unpainted painting by the artists of the past."

"I painted works that really should have been in the artist's oeuvre," he said, proclaiming that some were actually "too good."

Their paintings were sold as legitimate works by the artists, including elaborate fabricated provenances, through a German auction house, a Parisian art gallery, and elsewhere. Victims included experts in the trade and collectors such as actor Steve Martin, as previously reported in ARTFIXdaily.

"Red Picture with Horses," supposedly painted by Heinrich Campendonk (1889-1957) of the Netherlands, sold at auction in Cologne for over $3 million, making it perhaps the priciest of the couple's frauds.

 Jeannette Spurzem, Helene's sister, and Otto Schulte-Kellinghaus are also on trial as accomplices.

  • Email

More News Feed Headlines

Einar and Jamex de la Torre, Critical Mass, 2002 (Courtesy of the Cheech Marin Collection and Riverside Art Museum).

Inaugural Exhibition at The Cheech Highlights Groundbreaking Chicano Artists

  • ArtfixDaily / July 7th, 2022

One of the nation’s first permanent spaces dedicated to showcasing Chicano art and culture opened on June ...

Jacob Lawrence,.  .  .  is life so dear or peace so sweet as to be purchased at the price of chains and slavery?—Patrick Henry,1775 , Panel 1, 1955, from Struggle: From the History of the American People, 1954–56, egg tempera on hardboard.  Collection of Harvey and Harvey-Ann Ross.  © 2022 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York.

Crystal Bridges Explores the U.S. Constitution Through Art in New Exhibition 'We the People: The Radical Notion of Democracy'

  • ArtfixDaily / July 7th, 2022

Original print of the U.S. Constitution headlines exhibition sponsored by Ken Griffin (who purchased it for $43.2 ...

Salvador Dalí (1904–1989), Christ of St John of the Cross, 1951, oil on canvas © CSG CIC Glasgow Museums Collection

Dalí / El Greco Side-by-Side Exhibit Prompts: 'Are They Really Paintings of the Same Thing?'

  • ArtfixDaily / July 6th, 2022

From July 9 to December 4, 2022, The Auckland Project in the U.K. will unite two Spanish masterpieces from British ...

Oscar Howe (Yanktonai Dakota, 1915–1983), Fighting Bucks, 1967.  Casein on paper, 20 1/4 x 26 15/16 in.  NMAI 27/0217 

'Dakota Modern' Retrospective of Oscar Howe Reexamines His Role in 20th Century American Art

  • ArtfixDaily / July 6th, 2022

One of the 20th Century’s Most Innovative Native American Painters, Howe Challenged Stereotypes and Created Pathways ...


Related Press Releases

ARTFIXdaily Artwire