FACTION Art Projects announce New York solo show of Cuban painter Armando Mariño

  • LONDON, New York
  • /
  • February 28, 2019

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Armando Marino, Camouflage, 2017

La Selva Oscura

Armando Mariño

FACTION Art Projects @ Gallery 8 New York
2602 Frederick Douglass Boulevard, NY 10030

Friday May 3 – Saturday May 25, 2019

Private View Thursday May 2,  6.30-8.30pm

FACTION Art Projects have announced a solo show of painter Armando Mariño. The exhibition consists of 10 new large-scale oil paintings of figures in landscapes that draw on themes of identity and personal history within the current political and socio-economic climate. 

Drawing from his Cuban roots, Armando Mariño’s work is influenced by periods of time living in Cuba, the Netherlands, France and New York’s Hudson Valley, and his experience of dislocation and popular culture. 

The places and people embedded within the works are suffused with social and political significance. Using imagery taken from his own photographs as well as external sources, the artist’s works connect to one of the most pressing issues of our world today.

Armando Mariño’s paintings are characterised by his distinctive and highly saturated colour palette – bright pinks, oranges, greens and yellows that are offset by deep, dark shadows. Despite the traditional medium, Mariño likens the hues he works with to those that can be found in films, video games and advertising – super-saturated digital colours that fizz and pop, connecting to our contemporary way of viewing the world. Colour is essential to the work, indeed, Mariño has described painting as an idea that uses colour in order to communicate.

Each of Mariño’s finished canvases begins with a number of paintings on paper. In oil and watercolour, these studies are the places where the artist’s ideas first come to life – where the composition, colour and surface details are worked out and eventually fixed down. The works on paper are a crucial part of Mariño’s research process as well as being important parts of his wider practice in their own right.  The artists then builds up each of his paintings with multiple layers of oil paint. Each begin with a foundation of cadmium yellow or orange, painstakingly layered until vibrancy is achieved. 

Armando Marino, The Mexican, 2019

The title is derived from the ‘dark forest’ in Dante’s Inferno, which serves as a metaphor for the protagonist’s ‘spiritual, physical, psychological, moral and political’ disorientation through his ‘bewildering period of adolescence’. The figures in Mariño’s work similarly are situated within both physical and metaphorical darkness, the landscapes often alluding to forestry and nature. The ideological context in which the figures find themselves can also be seen as ‘disorientating’, and reflects the US’s current political mood. 

One example of this is ‘The Mexican’ which depicts a young man draped in a glowing floral sheet flagged by cacti. Feeling that Mexican people are often undervalued by US society, except when at the forefront of controversy despite their extraordinary contribution to the workings of the country, the figure’s magnificent shroud seeks to ‘make the invisible visible’, and is Mariño’s tribute to Mexican’s living in the US. The work also references homeless or stateless figures, normally disregarded from contemporary society, but here glorified by the golden gown.

Other works play with the duality of visible/ invisible in reference to immigrants, evoking the paradox between increasing cultural hybridity and globalisation, and decisions to restrict access and close borders.

Armando Mariño was born in Cuba and now lives and works in New York. He studied art in Havana and Santiago de Cuba in the 1980s and 1990s, and at Rijksakademie van Beeldende Kunsten in Amsterdam between 2004 and 2005. He has since exhibited his paintings all over the world including solo and group exhibitions in Paris, Ontario, Copenhagen, Madrid and Miami among other cities. Mariño has won numerous awards for his paintings and his work is held in such notable collections as that of Deutsche Bank, De Nederlandsche Bank, The Coca Cola Foundation and other significant public and private collections in Europe, Central America and the USA.

Armando Marino, The Offering, 2017

For more information please contact Anna Beketov, anna.beketov@damsonpr.com, +44 (0)20 7812 0645

Notes to Editors:

About FACTION Art Projects:

FACTION is a flexible collective, from the team behind the hugely successful Gallery 8 and Coates & Scarry in London, who have created a unique model for artists and gallerists to work together. FACTION addresses the changing market place and the erosion of the traditional art market, where galleries were gatekeepers for artists. FACTION provides artists with promotion and opportunity to access collectors and a wider audience, with all the support of a gallery but without the constraints of the traditional model. They aim to deliver a programme of artists that is diverse and inclusive. FACTION launched in February 2018, and since then has become strongly imbedded in the Striver’s Row community and a highlight of Harlem’s cultural scene.

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