Yua: Henri Matisse and the Inner Arctic Spirit

  • Henri Matisse, White Mask on Black Background (Masque blank sur fond noir) ©2018 Succession H.  Matisse / Artists Rights Society (ARS), New York

    Henri Matisse, White Mask on Black Background (Masque blank sur fond noir) ©2018 Succession H. Matisse / Artists Rights Society (ARS), New York

  • Central Yup’ik, Napaskiaq Village, Kuskokwim River, Alaska.  Wanelnguq dance mask c.  1900.  Wood, feathers, pigment.  Collection of the National Museum of the American Indian, Smithsonian Institution, 9/3432.  Photo by NMAI Photo Services.Central Yup’ik, Napaskiaq Village, Kuskokwim River, Alaska.  Wanelnguq dance mask c.  1900.  Wood, feathers, pigment.  Collection of the National Museum of the American Indian, Smithsonian Institution, 9/3432.  Photo by NMAI Photo Services.

    Central Yup’ik, Napaskiaq Village, Kuskokwim River, Alaska. Wanelnguq dance mask c. 1900. Wood, feathers, pigment. Collection of the National Museum of the American Indian, Smithsonian Institution, 9/3432. Photo by NMAI Photo Services.Central Yup’ik, Napaskiaq Village, Kuskokwim River, Alaska. Wanelnguq dance mask c. 1900. Wood, feathers, pigment. Collection of the National Museum of the American Indian, Smithsonian Institution, 9/3432. Photo by NMAI Photo Services.

  • Henri Matisse, Esquimau.  Lithograph, ca.  1947, Plate I (frontispiece) from Georges Duthuit’s Une Fête en Cimmérie, 1963.  Collection Musée départemental Matisse, Le Cateau-Cambrésis, France.  Gift of Barbara and Claude Duthuit, 2010.  # 2010-1-6 (2-1).  © 2018 Succession H.  Matisse / Artists Rights Society (ARS), New York

    Henri Matisse, Esquimau. Lithograph, ca. 1947, Plate I (frontispiece) from Georges Duthuit’s Une Fête en Cimmérie, 1963. Collection Musée départemental Matisse, Le Cateau-Cambrésis, France. Gift of Barbara and Claude Duthuit, 2010. # 2010-1-6 (2-1). © 2018 Succession H. Matisse / Artists Rights Society (ARS), New York

The Heard Museum, located in Phoenix, Ariz., is the only venue for Yua: Henri Matisse and the Inner Arctic Spirit, set to open on Oct. 29, 2018.

This will be the public’s first and only opportunity to see this groundbreaking exhibition (through Feb. 3, 2019) exploring the surprising artistic and spiritual connection between the great 20th-century French modern master, Henri Matisse, and the Indigenous people of the Arctic.

Matisse is celebrated for his sensuous approach to color and composition. Largely unknown to the general public, however, are his striking black-and-white portraits of Inuit people that were inspired, in part, by a group of Yup’ik (Native Alaskan) masks collected by his son-in-law Georges Duthuit.

In the last decade of his life, while working on his masterpiece La Chapelle de Vence, Matisse became interested in both the physical forms and spiritual concerns of the Inuit which later inspired this series of 39 individual portraits depicting the faces of Inuit men and women. In addition to original works by Matisse, the exhibition will also feature Yup’ik masks, cultural objects, archival photographs, film and ephemera totaling more than 150 pieces.

“The Heard Museum is honored to show these rarely seen works by Matisse and to share this extraordinary story with our visitors,” said David M. Roche, Heard Museum director and CEO. “Of particular significance to us is the effort this story inspired to reunite pairs of Yup’ik masks that, due to a variety of circumstances, have been separated by time and great distances. It’s a thrilling and emotional experience to see them together again and advancing this type of scholarship is central to our mission.”

Yua: Henri Matisse and the Inner Arctic Spirit is co-curated by Sean Mooney, curator at the Rock Foundation and Chuna McIntyre, a Yup’ik artist and elder, and is the first ever exhibition to restore the original cultural practice of mated pairs of Yup’ik masks.

“It’s a privilege for us to show our masks,” said Chuna McIntyre. “All of these masks were once used together in a ceremony, then dispersed all over the world. People will experience centuries of history and it is a rare opportunity to finally have them all together again thanks to the Heard Museum.”

Yua is a Yup’ik word that represents the spiritual interconnectedness of all living things and is essential to maintaining balance and order in the Arctic way of life. The Yup’ik are Native Alaskans and their name translates to “the Real People.” A critical objective of the exhibit is to underscore the important contributions of Native Alaskans to an expanding concept of American art, as well as its intersection with broader artistic movements.

National and International exhibition collaborators include the Matisse Museum (Le Cateau) in France, the Menil Collection in Houston, Texas, The Metropolitan Museum of Art in New York, Fowler Museum of Cultural History at UCLA, Phoebe A. Hearst Museum of Anthropology at UC-Berkeley and the National Museum of the American Indian, Smithsonian Institution in Washington, DC. Major funding for the exhibit has been provided by the Terra Foundation for American Art.

Educational programs are being designed to ensure many points of entry for families, educators, and youth and include the unveiling of the exhibition mascot, Henri the Husky. Animals play an important role in Arctic cultures and Henri the Husky will be the accessible “face” to help families, youth and students engage and learn about the art and themes in the exhibition. Henri will be incorporated into all collateral materials including a Matisse Family Guide as well as the companion family exhibition It’s Your Turn: Matisse in the Sandra Day O’Connor Gallery and public events including First Fridays and Holidays at the Heard. An original ink drawing by Matisse depicting his beloved dog Raudi will be shown in It’s Your Turn: Matisse and hung at eye-level for kids to enjoy.