Hollis Taggart in Southport, Connecticut to Open Abstract Ascension

  • SOUTHPORT, Connecticut
  • /
  • June 07, 2022

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Kathryn MacNaughton (b. 1985) Nuture, 2022 Acrylic on canvas 47 1/4 x 35 3/8 in 120 x 90 cm

Exhibition to Feature Artists
Dana James, Kathryn MacNaughton, and Anna Pietrzak

 

On View June 18 – August 31, 2022

Opening Reception: June 18, 5:00 p.m. – 8:00 p.m.

 

 

Southport, CT—May 18, 2022—Hollis Taggart is pleased to present Abstract Ascension, a group exhibition featuring new and recent paintings by three contemporary artists, Dana James, Kathryn MacNaughton, and Anna Pietrzak. On view from June 18 to August 31, the exhibition features selections of their paintings, which are united by their careful attention to the formal possibilities of abstraction. For all three artists, the concept of the form is paramount––forms that lean or press against the picture frame (Pietrzak); forms that mimic the digital (MacNaughton); and forms that reach towards transcendence (James). An opening reception will take place on June 18 from 5 p.m. to 8 p.m. in our Southport Connecticut location (330 Pequot Avenue).

 

Brooklyn-based artist Dana James creates works with an exquisite sense of touch, incorporating multiple mediums and textures. Central to James’ work is the idea of materials transcending their nature. These recent paintings coalesce bright, pastel palettes with recycled canvas. She incorporates unorthodox materials such as flecks of tin foil and iridescent encaustic that create surprising glimmers of light embedded within opaque color fields and evoke the magical play of moonlight or the glinting of the ocean. Drawing from the tradition of twentieth-century color field painting, James gives form to captivating dualities—transience and permanence, geometric and amorphous, light and dark. 

 

In the works of Canadian artist Kathryn MacNaughton, the canvas—and the analog process of the painter’s hand—references the computer screen and the digital touch. In her physical paintings, she seeks to give the illusion that the work looks digital, thereby reifying the digital in paint. MacNaughton trained and worked as a graphic designer and typically uses post-analog language when discussing her work: masking, layering, color-blocking, silhouette. Here these concepts are paired with more Romantic expressive movements such as scribbles, painterly splatters, and curves. Similarly, to James’s works, MacNaughton’s paintings traffic in polarities: analog and post-analog mark-making (i.e. the painterly and the digital); pragmatism and Romanticism; expressiveness and obfuscation.

Anna Pietrzak (b. 1987) Untitled, 2022 24K gold leaf and acrylic on canvas 48 x 36 in 121.9 x 91.4 cm

 

Working with gold leaf and acrylic on wood panel and canvas, Anna Pietrzak creates compositions inspired by gestures of the human body and nature in which forms lean against each other, held in striking tension. While Pietrzak’s forms are minimal, their arrangements and shimmering surfaces are monumental and emotive, evoking the history of the sublime. Like James, Pietrzak is invested in how materials can yield transcendental effects. Gold leaf is used not as embellishment, but as the primary medium of the work. It carries tension as a paradox of something that was once unbearably heavy, now made impossibly light. 

 

 

 

About Hollis Taggart

Founded in 1979, Hollis Taggart presents significant works of American art, showcasing the trajectory of American art movements from the Hudson River School to American Modernism and the Post-War and Contemporary eras. Its program is characterized by a deep commitment to scholarship and bringing to the fore the work of under-recognized artists. The gallery has sponsored several catalogue raisonné projects, most recently for the American Surrealist artist Kay Sage, and has been instrumental in advancing knowledge of such artists as Alfred Maurer, Arthur B. Carles, and more recently, Theodoros Stamos, Marjorie Strider, and Michael (Corinne) West. In the summer of 2019, the gallery announced the formal expansion of its primary market business and focus on the presentation of contemporary work. It continues to expand its roster of contemporary artists, focusing on emerging and mid-career talents. With more than 40 years of experience, Hollis Taggart is widely recognized by collectors and curators for its leadership, expertise, and openness, on matters of art history, and market trends and opportunities. The gallery’s flagship location is in Chelsea, and it also operates a space in Southport, Connecticut.

Dana James (b. 1986) The Hardest Thing to See is What's Really There, 2022 Oil, encaustic, and pigment on canvas 46 x 68 in (116.8 x 172.7 cm)

 

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For more information, please contact:

southport@hollistaggart.com / 212-628-4000

 

Contact:
Hollis Taggart
Hollis Taggart Southport

southport@hollistaggart.com

Hollis Taggart Galleries
521 W. 26th St.
7th floor
New York, New York
info@hollistaggart.com
212.628.4000
http://www.hollistaggart.com/
Tags: american art

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