Art Installation Spotlights Climate Change With a Forest Inside a 30,000-Seat Stadium

  • KLAGENFURT, Austria
  • /
  • September 06, 2019

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Klaus Littmann, "FOR FOREST - The Unending Attraction of Nature," art intervention, Wörthersee Stadium, Klagenfurt, Austria, 2019.

FOR FOREST – The Unending Attraction of Nature, a temporary art intervention by Klaus Littmann and Austria’s largest public art installation to date, is free and open to the public daily from September 8 to October 27, 2019.

Bringing together art, nature and architecture in an unprecedented way, this monumental art intervention sees the transformation of Wörthersee football [soccer] Stadium in Klagenfurt into a native central European forest, with almost 300 trees, some weighing up to six tons each, carefully installed on the existing pitch. 

Klaus Littmann, "FOR FOREST - The Unending Attraction of Nature," art intervention, Wörthersee Stadium, Klagenfurt, Austria, 2019.

Inspired by The Unending Attraction of Nature, a dystopian drawing by Austrian artist and architect Max Peintner (b. 1937) that Littmann discovered almost thirty years ago, FOR FOREST finally brings that vision to life. Rallying in support of today’s most pressing issues on climate change and deforestation, FOR FOREST aims to challenge our perception of nature and question its future. It seeks to become a memorial, reminding us that nature, which we so often take for granted, may someday only be found in specially designated spaces, as is already the case with animals in zoos.

Overseen by Enea Landscape Architecture, the forest is composed of a diverse range of species such as silver birch, alder, aspen, white willow, hornbeam, field maple and common oak. Once transplanted the forest will take on a life of its own, changing colours as the season turns and attract wildlife.

Seating up to 30,000 spectators, the surroundings of Wörthersee Stadium will dramatically shape the visitor experience. From 10am until 10pm daily, audiences will experience a unique panorama of trees, day and night, under natural light or by floodlight. Encountering FOR FOREST will trigger a multiplicity of responses and emotions, and depending on the time of day or night the trees will form an ever-changing landscape. This captivating panorama will pave the way for a whole new perspective and understanding of forests.

Max Peintner (b. 1937) drawing used for Klaus Littmann, "FOR FOREST - The Unending Attraction of Nature," art intervention, Wörthersee Stadium, Klagenfurt, Austria, 2019.

After the free art intervention at the stadium ends, the forest will be carefully replanted on a public site in close proximity to Wörthersee Stadium at a scale of 1:1 and remain as a living ‘forest sculpture’. Parallel to this, a pavilion is planned in order to document the project for the long-term.

FOR FOREST is the trigger for a vibrant programme of related satellite events and exhibitions across the city of Klagenfurt. One of the highlights is the joint exhibition Touch Wood at the Museum of Modern Art in Carinthia (MMKK) and at the Stadtgalerie. The Wulfenia Cinema and CineCity have organised a specially curated film programme which explores the themes of nature and the environment, and includes screenings of Werner Herzog's Fitzcarraldo, Werner Boote’s Plastic Planet and Jan Haft’s The Green Planet. Entry to the film screenings is free for the duration of FOR FOREST.

Further art projects are planned for public urban spaces, including exhibitions by the Lendhauer Association and performances by Vada, the smallest theatre in the world. Wörthersee Stadium will also become the backdrop for performances and rehearsals by world-renowned Vienna Burgtheater.

Born in 1951, Klaus Littmann lives and works in Basel, Switzerland. Littmann studied at Düsseldorf Art Academy with Joseph Beuys and established himself as a mediator of contemporary art. He made his name through unique solo and group exhibitions positioned in diverse contexts. After many years working within gallery and museum spaces, he started presenting theme oriented art exhibitions in the public arena. Underlying each of his complex and unique projects is a dichotic tension highlighting the artist’s preoccupation with everyday culture and the confrontation between contemporary art and urban spaces.

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