
Artworks of beauty, serenity, and power dominate Carole Davenport's Asia week exhibition, her 16th consecutive outing. An elegant ceramic vessel from the 2nd millenium BC, the Jomon era, and a strong single character calligraphy by the famed artist Morita Shiryu, (1912-1999), bracket the date range of art works to be presented. The haunting image of a handsome, young nobleman in the form of a Noh mask carved in the 17th century by the master Deme Yukan Mitsuyasu provides a focal point of the exhibition. It exemplifies the expressive and sensitive nature of Japanese art. A cornucopia of Jap...


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