You Say You Want a Revolution? Well, Recreate an 18th-Century Style Pickle Stand

  • July 08, 2020 11:13

  • Email
American Pickle, 2008. H 7”. Slipcast sri molded and handbuilt porcelain. Photo Credit Gavin Ashworth, The Reeves Collection, Washington & Lee University VA.
Making a Bonnin and Morris Pickle Stand. Photo Credit Gavin Ashworth

Master Ceramicist Michelle Erickson Recreates a Revolutionary-Era Philadelphia-Made Porcelain Pickle Stand in New Video from the Museum of the American Revolution

What can one piece of porcelain tell us about the American Revolution? In a newly released 18-minute film, master ceramicist Michelle Erickson recreates an 18th-century Philadelphia-made masterwork known as a Bonnin and Morris pickle stand – an exquisite tiered serving dish – and explores the political significance of American-made porcelain during the Revolutionary era.

The original pickle stand is one of just a few surviving examples produced by Philadelphia potters Gousse Bonnin and George Anthony Morris, who operated the first American porcelain factory near where the Museum of the American Revolution now stands in Philadelphia. The original pickle stand is owned by the Philadelphia Museum of Art and was on loan to the Museum of the American Revolution from 2017-2019.

During the Revolutionary era, ceramics were often emblazoned with messages that advocated for political change and social justice. Colonists also made a political statement by purchasing American-made porcelain rather than British imports. Inspired by this tradition, Erickson often creates works that offer commentary on 21st-century social, environmental, and geopolitical issues. Her politically charged pieces comment on topics from gun control to mass incarceration.

Erickson casts and press molds over 80 elements to be assembled into the porcelain pickle stand elements. Photo Credit Gavin Ashworth

“I was awed by Michelle’s creative vision and technical ability the first time I saw her work nearly 30 years ago,” said Dr. R. Scott Stephenson, Museum President and CEO. “Reaching back into the past for insights and inspiration even as she passionately embraces contemporary issues, her work is a perfect expression of the Museum’s vision to ensure that the promise of the American Revolution endures.”

Erickson was artist-in-residence at the Museum of the American Revolution in December 2018. The residency included a display of Erickson’s historically inspired contemporary work titled American Pickle, an evening program, and a live ceramic demonstration which was filmed for this video.

Erickson’s recreated pickle stand, produced in this film and acquired through the generosity of James D. and Pamela J. Penny, will be displayed in the Museum’s family-friendly discovery center Revolution Place, which recreates the Museum’s Philadelphia neighborhood in the 1770s. Also housed in this space are artifacts excavated from the Museum’s site during an archaeological excavation that produced large 18th-century ceramic deposits, including a bowl identified as the first example of American hard-paste porcelain.

Michelle Erickson is a Virginia-based independent ceramic artist and scholar, internationally recognized for her mastery of colonial-era ceramic techniques her pieces reinvent ceramic history to create 21st-century social political and environmental narratives. Her ceramic artworks are in the collections of major museums in America and Britain, including the Museum of Arts and Design in New York, Seattle Art Museum, The Potteries Museum & Art Gallery at Stoke on Trent, and the Victoria and Albert Museum in London. Erickson’s body of scholarship concerning the rediscovery of 17th and 18th century ceramics techniques has been documented in many publications, most notably several volumes of the annual journal Ceramics in America. Erickon has designed and produced ceramics for major motion pictures and television series including The Patriot and HBO’s John Adams. In 2007, she was commissioned to design and create the official gift to be given to Her Majesty Queen Elizabeth II during her historic visit to celebrate the 400th anniversary of the founding of Jamestown. In 2012 Michelle was artist-in-residence at the Victoria and Albert Museum in London in the category of World Class Maker. For more information, visit www.michelleericksonceramics.com.

Michelle Erickson with her work "Colored Skulls" during her artist residency at Visual Arts Center Richmond, VA, 2016 . Photo credit: Robert Hunter

 


  • Email

More News Feed Headlines

Art Basel 2019

Media Scion James Murdoch's Company Takes Stake in Art Basel Owner

  • Hollywood Reporter / August 3rd, 2020

Days after resigning from News Corp.'s board of directors, James Murdoch has been approved to join the board of MCH ...

Read More...
An untitled acrylic and oil stick on paper by Jean Michel Basquiat (1982)

Basquiat Sells For Record In-App Price of $10.8 Million on Loïc Gouzer's Fair Warning

  • High Snobiety / August 2nd, 2020

Jean-Michel Basquiat's 1982 Untitled brought $10.8 million on Loïc Gouzer's new Fair Warning app last Thursday. The ...

Read More...
Center panel of Hieronymus Bosch, The Garden of Earthly Delights, oil on oak panels, 205.5 cm × 384.9 cm (81 in × 152 in), Museo del Prado, Madrid

A New Kind of Virtual Online Museum of Art to Debut This Summer

  • Hypebeast / August 2nd, 2020

The Virtual Online Museum of Art plans to be the world’s first fully interactive virtual museum. Opening online on ...

Read More...
Paul Gauguin, The Invocation, 1903.  National Gallery of Art.

'Sensational' Claim: Some Paintings By Gauguin Are Forgeries, Commissioned By His Art Dealer

  • Washington Post / July 30th, 2020

Beset by illness and injury, post-Impressionist master Paul Gauguin's life was coming to an end in 1903. Due to his ...

Read More...

Related Press Releases

Related Events

Goto Calendar

ARTFIXdaily Artwire