Mennello Museum Features New York School Innovator Grace Hartigan

  • Grace Hartigan, Marilyn, 1962.

    Grace Hartigan, Marilyn, 1962.

    The Perry Collection

  • Grace Hartigan, Reisterstown Mall, 1965, oil on canvas, 80 x 102 inches.

    Grace Hartigan, Reisterstown Mall, 1965, oil on canvas, 80 x 102 inches.

    Collection of Hart Perry.

  • Grace Hartigan, “Untitled (Marilyn Study – Hand), 1962.

    Grace Hartigan, “Untitled (Marilyn Study – Hand), 1962.

    The Perry Collection

Through March 18, 2018, the Mennello Museum of American Art, in Orlando, is showing a collection of seminal works by New York School artist Grace Hartigan.

"I have found my subject, it concerns that which is vulgar and vital in American life, and possibilities of its transcendence into the beautiful." -Grace Hartigan, 1957.

From the Mennello:

GRACE HARTIGAN 1960-1965, THE PERRY COLLECTION presents a rare selection of paintings and collages that represent Hartigan’s noted Abstract Expressionist style as it evolved in the early 1960s toward new levels of abstraction and representation. Long overlooked, Hartigan was a key innovator among the painters of the New York School.

Hartigan’s reputation as an important contemporary artist increased throughout the 1950s; she was the only woman represented in the much heralded MoMA’s 1956 show Twelve Americans that included Sam Francis, Philip Guston, Franz Kline, and Seymour Lipton; and her work was an integral part of MoMA’s New American Painting exhibition that toured eight countries in Europe in 1958 and 1959 and included Jackson Pollock, William de Kooning, Mark Rothko, Franz Kline, Barnett Newman, Robert Motherwell, Arshile Gorky, Clifford Still, and other leading Abstract Expressionist painters.  She was the only woman artist in both exhibitions.

More recently, Hartigan has been included in survey exhibitions looking at Abstract Expressionism from the lens of the 21st Century including: Abstract Expressionist New York at MoMA, 2010 that celebrated the achievements of a generation that catapulted New York City to the center of the international art world nearly seventy years ago and the groundbreaking exhibition Women of Abstract Expressionism organized by Denver Art Museum, 2016 that celebrated the often unknown female artists of this mid-twentieth-century art movement.

Hartigan is likewise noted for her influence on three generations, during her more than 40 years teaching graduate students as director of Maryland Institute College of Art’s (MICA) Hoffberger School of Painting, Baltimore.

The variety of paintings in this exhibition range from 1960 – 1965, and they are assembled by Hartigan’s Washington D.C. dealer, the late Beatrice Perry.  They are characteristic of Hartigan’s style at the time, a style of vivid color and texture painted on a large scale.

Similar works of this period are found in the collections of the Whitney Museum of American Art, the Albright Knox Art Gallery, and the Peggy Guggenheim Collection in Venice, Italy.  The selection also demonstrates the shift in mood and thought as Hartigan transitioned from her studio and work life in New York to Baltimore, Maryland where she lived, painted, and thought until her death in 2008.

"I think the thing about Hartigan that I admired the most is her purposefulness in her work. No matter the economic realities or the ebb and flow of the art world she had a plan for her work and she stuck to it. Her journals are very useful when it comes to learning about her thoughts and ideas as well as the day to day struggles to make ends meet while trying to paint and build a career in New York in the 50s." —Michael Klein, Guest Curator, New York

More News Feed Headlines

 Joseph Stella's 1922 painting "Study of the Brooklyn Bridge"

Exhibition of New York Scenes Opens at Minnesota Marine Art Museum

  • October 17, 2018 13:21

Fifteen artworks spanning from the Dutch colony days to the present depict New York waters in an ...

Read More

Theresa Papanikolas, Seattle Art Museum’s new curator of American art.

Seattle Art Museum Names New American Art Curator

  • October 16, 2018 16:24

Theresa Papanikolas is the new Ann M. Barwick Curator of American Art at the Seattle Art Museum. ...

Read More

Milton Avery, Dancing Trees , 1960.  Oil on canvas, 52 x 66 in.  Paul G.  Allen Family Collection © 2015 Mi l ton Avery Trust / Artists Rights Society (ARS), New York

Paul Allen, Microsoft Cofounder and Art Collector, Remembered

  • October 15, 2018 23:00

Paul Allen, the multibillionaire technology entrepreneur and art collector, died on Monday at age ...

Read More

View of the Korai in the Acropolis Museum, with space for the one at the British Museum.

Brexit Could Help the Case for Parthenon Sculptures to be Returned to Greece

  • October 14, 2018 02:45

The Parthenon, crown jewel from the cradle of Western civilization, needs its missing marbles. ...

Read More

Related Press Releases

Related Events from ArtfixDaily Calendar

 

ArtfixDaily Artwire