Cutting-Edge U.S. Embassy in London Opens Chock-Full of Art This Week

Rendering
Rendering
(Kieran Timberlake)
  • View southwest at the new U.S.  Embassy London in Nine Elms, across park.  Photographer: Richard Bryant/arcaidimages.com

    View southwest at the new U.S. Embassy London in Nine Elms, across park. Photographer: Richard Bryant/arcaidimages.com

  • DETAIL of Rachel Whiteread's US Embassy (Flat pack house; 2013-1015).

    DETAIL of Rachel Whiteread's US Embassy (Flat pack house; 2013-1015).

    Courtesy Gagosian. Photo: Mike Bruce

The 1960s building that housed the U.S. embassy in London needed costly renovations and posed security risks in busy Mayfair, prompting a decision in 2007 to purchase a new site. Opening to the public on January 16, the new U.S. embassy resides in South London's Nine Elms area, below the Thames, where officials will unveil a "modern, welcoming, safe and energy efficient embassy for the 21st century."

Surrounded by a moat, the new embassy is a glass cube with hidden fortifications that cost about $1 billion, according to reports, making it the most expensive embassy in the world. Officials are quick to point out that the security demands of our post-9/11 world contributed to costs. 

The project was funded entirely by the proceeds of the sale of other U.S. Government properties in London.

Besides its impressive energy efficiency and environmental design, the new US embassy was planned by Philadelphia-based architects Kieran Timberlake with openness, diplomacy, functionality, security and value, in mind---along with large-scale art.

The US State Dept. program known as Art in Embassies, which employs art in cultural diplomacy outreach, commissioned some monumental works for the new embassy.

One piece is Rachel Whiteread's US Embassy (Flat pack house; 2013-1015), a wall sculpture at the entrance of the embassy, which is joined by works by such contemporary art luminaries as Sean Scully, Mark Bradford and Jenny Holzer.

The embassy's website says, "As it unfolds about the central core, the art can be experienced both within the major public spaces and from the outside as part of the continuum of spiraling walks and landscape form."

Each floor also features gardens, representing landscapes across America, from Pacific forests to the Gulf Coast.

At the groundbreaking, Ambassador Barzun said, “We are proud to be putting down roots in Nine Elms.  And we’re proud to provide an anchor for more businesses and jobs, bringing thousands of new neighbors to fuel economic revitalization here.”

“It is the most secure, hi-tech and environmentally friendly embassy that the United States has ever built,” recently added current Ambassador Johnson. 

“Purchased and built from the sale of our London properties, the new embassy did not cost the US taxpayer a cent," explained Johsnon. "Yet is one of the most advanced embassies we have ever built.”

More News Feed Headlines

Aerial view of Huguette Clark's Bellosguardo estate

Mystery Lingers Over Fate of Huguette Clark's Bellosguardo

  • February 20, 2018 20:24

Huguette Clark, the copper heiress who died at age 104 in 2011, left a will that envisioned her ...

Read More

A terra-cotta horse and warrior from the Franklin Institute’s exhibit.

Man Charged With Stealing Terracotta Warrior's Thumb

  • February 19, 2018 22:28

A Delaware man has been charged with stealing the thumb of a $4.5 million terracotta warrior ...

Read More

Michelangelo's Tuscan Villa Is Still For Sale

  • February 14, 2018 21:26

If you missed the once-in-a-lifetime Michelangelo exhibition at the Met this winter, which drew ...

Read More

Georgia O'Keeffe, Black Lava Bridge, Hana Coast No.  1, 1939.  From the upcoming exhibition, "Georgia O'Keeffe: Visions of Hawaii" at New York Botanical Garden.

NEA Grants $26M to Arts Projects Nationwide

  • February 14, 2018 20:39

On the heels of an announcement that the National Endowment for the Arts (NEA) awarded 1,134 ...

Read More

Related Press Releases

Related Events from ArtfixDaily Calendar

 
Capital Collections Estate Auction - Weschler's

ArtfixDaily Artwire