Kathryn Hart - New Dawn - Venice Biennale

Exhibition, Database to Aid Search for Missing Public Art in England

  • December 15, 2015 16:21

  • Email
Stolen - The Watchers, Lynn Chadwick, 1960, Roehampton University, South West London © Historic England

England's post-war public art, created by some of the most important artists of the 20th century, is "disappearing before the public's eyes," according to Historic England, a government agency that protects English heritage. They have discovered that a growing number of sculptures, architectural friezes and murals - made between the Second World War and the mid-1980s - have been destroyed, sold, lost or stolen. Gone are works by acclaimed artists from Henry Moore to Barbara Hepworth, Peter Laszlo to Lynn Chadwick.

Through research and collaborations, Historic England is building up a picture of just how much art has disappeared.

A "worrying amount" of artwork has disappeared from the streets, housing estates, work places, shopping centres and schools for which the pieces were designed. Although many of the works have been destroyed completely, some could still be out there.

The public is asked to come forward with information, evidence and photographs to help track them down and inform a major exhibition at Somerset House in London as part of its Utopia Season.

Advertisement

Duncan Wilson, Chief Executive of Historic England, said: "Part of England's national collection of public artworks is disappearing before our eyes. Historic England's research is only the tip of the iceberg as it's almost impossible to trace what has happened to every piece of public art since 1945. What we do know is that this art work was commissioned and created for everyone to enjoy, and it should remain accessible to all. We're making efforts to protect the best examples of post-war public art that still exist, and make sure that it continues to enhance the public realm. But we also want to raise awareness of just how vulnerable these works can be and we want the public to help us track down lost pieces."

From a bronze Henry Moore sculpture stolen to order for its scrap value, to an abstract steel sculpture by Barry Flanagan in Cambridge that was vandalised beyond repair, or the seven metre long steel structure by Bryan Kneale that was sold at auction last year, these public artworks are vulnerable and need protecting.

In 2012 Wakefield Council went as far as to remove its Henry Moore from public display and put it in secure storage because of the spate of thefts. Often, the artists themselves don't know their works are in danger until it's too late and the public isn't consulted on what should happen next.

The price of scrap metal, the need for many public bodies to fill funding gaps, pressure from redevelopment, and vandalism are all reasons why this national collection of public art is being eroded.

Historic England (previously known as English Heritage) is currently identifying the post-war public art that could be protected through listing. They are also running an exhibition at Somerset House, "Out There: Our Post-War Public Art" from 3 February to 10 April 2016, to help people to learn about this national collection and the stories behind it, so they will recognise the importance of these works. The goal is to strengthen the public's sense of ownership of its own collection, to make it harder for it be stolen or destroyed.

Here is a list of works that have been lost, sold, stolen or destroyed. Photographs and memories of missing public artworks are sought.

Send information by emailing outthere@HistoricEngland.org.uk or calling 0207 973 3295.

Read more at Historic England


  • Email

Advertisement

Advertisement

More News Feed Headlines

Elizabeth Talford Scott.  Plantation.  1980.  The Baltimore Museum of Art: Collectors Circle Fund for Art by African Americans, Baltimore Appliqué Society Fund, and purchased as the gift of the Joshua Johnson Council, and Mr.  and Mrs.  Irvin Greif, Jr., Lutherville, Maryland, BMA 2012.226.  © Estate of Elizabeth Talford Scott

Baltimore Museum of Art Will Only Acquire Works by Women Artists in 2020

  • Baltimore Sun / November 17th, 2019

The Baltimore Museum of Art is taking its initiative to focus all its 2020 programs and exhibitions on women artists ...

Read More...
KERRY JAMES MARSHALL, “Vignette 19,” 2014 (acrylic on PVC, 71 3/4 by 60 inches / 182.2 by 152.4 cm).  Estimate $6.5 million-$7.5 million.  Sold for $18,488,000 with fees.

Kerry James Marshall Painting Brings $18.5 Million at Auction Amid Strong Prices For African American Artists

  • New York Times / November 17th, 2019

In the New York sales series last week an artwork at Sotheby's Contemporary Evening Sale stirred bidder interest like ...

Read More...
Head of Alexander the Great, dating back to around 300 B.C.

Dealer Sues For Seized Head of Alexander the Great

  • Courthouse News Service / November 14th, 2019

Safani Gallery, one of the oldest galleries of ancient art in the United States, filed a lawsuit Wednesday asking a ...

Read More...
Detail

Welsh Museum's Botticelli 'Copy' Is Authentic, Experts Say

  • Guardian / November 14th, 2019

What was thought to be a later copy of Botticelli's work is actually genuine, say a team of experts. A new episode ...

Read More...
Cottone Auctions - Bid Live - Nov 23
Clarke Auction - Sunday November 24th - ClarkeNY.com
Schwenke Auctioneers - November Fine Estates Auction - November 20th

ARTFIXdaily Artwire