N.C. Wyeth's "Treasure Island" Paintings Reunited After 100 Years

26 September 2011
"One more step, Mr.  Hands," said I, "and I'll blow your brains out!" Illustration by N.C.  Wyeth for the 1911 edition of Robert Louis Stevenson's Treasure Island.  Collection of New Britain Museum of American Art.

click to enlarge

"One more step, Mr. Hands," said I, "and I'll blow your brains out!" Illustration by N.C. Wyeth for the 1911 edition of Robert Louis Stevenson's Treasure Island. Collection of New Britain Museum of American Art.
(Wikipedia Commons)

After a century, 16 of the iconic "Treasure Island" paintings created by N.C. Wyeth as illustrations for Robert Louis Stevenson's beloved novel are shown together for the first time.

Brandywine River Museum in Chadds Ford, Penn., has reassembled these memorable images of pirates, swashbucklers, and high seas adventure in an exhibition celebrating the 100th anniversary of Wyeth's illustrations for the classic tale.

The 1911 edition of "Treasure Island" was a critical and popular success, establishing Wyeth among the period's foremost illustrators. His publisher, Scribner's, paid him $2,500, enough to buy 18 acres along the Brandywine River Valley that became home to generations of Wyeths, and their studios.

Scribner's displayed the paintings in the windows of their New York bookstore, selling several. The majority are now owned by the Brandywine River Museum and the Wyeth family, along with two at the New York Public Library, one in a private collection, and one owned by the New Britain Museum of American Art in Connecticut. A fire destroyed one painting from the series in 1952.

On public display together for the first time in 100 years, the exhibition shows Wyeth at the peak of his artistic powers with memorable images from the tale.

The exhibition also presents some Treasure Island productions created by the many illustrators, theater and film directors and even digital application designers who have been influenced by Wyeth's imaginative vision.     



Categories: American art, NC Wyeth

More News Feed Headlines
  • Julien Hudson, 1811-1844 American.  Creole Boy With A Moth, 1835, oil on canvas, courtesy of a private collection; photo courtesy of Fodera Fine Art Conservation, Ltd.
    A groundbreaking exhibition opened Dec. 9 at the Worcester Art Museum entitled “In Search of Julien Hudson: Free Artist of Color in Pre-Civil War New Orleans.” Julien Hudson (1811-1844) is the second-earliest documented portrait painter of African descent to work in the United States. Little-known today, Hudson died an untimely, somewhat mysterious death, and only fragments of his oeuvre survive to tell his story.
  • 'May,' by Alexander Motyl, $25/month to rent ($550 to buy), artsicle.com.
    A bevy of new online ventures are helping to streamline the process of buying art for both beginners and established collectors, facilitating keyboard-click access to information and galleries.
  • An installation view of the new Tuscaloosa Museum of Art: Home of the Westervelt Collection.
    Last week, the Tuscaloosa Museum of Art opened its doors, finally giving a home to the art collection assembled by Jack Warner. Earlier this year, the Jack Warner Foundation and Westervelt Company separated, leaving the fate undetermined as to where their respective collections would be housed. Several key works were sold by the Westervelt Co. at auction and privately. Now, more than 800 pieces...
  • Portrait of a Man and Woman in an Interior, painted about 1666, by Eglon van der Neer (Dutch, 1634–1703).  Oil on panel.  Museum of Fine Arts, Boston.  Seth K.  Sweetser Fund.
    At the Museum of Fine Arts, Boston, Victoria Reed is the first and only endowed curator of provenance at an American museum. Since 2010, her role has been to research objects in the museum's collections, and new acquisitions, in order to determine the right of ownership. At times, Reed's findings have led to restitution...

Enter e-mail address to receive art news daily.
Subscribe

ArtfixDaily Blogs