Art Basel set to impress

9 June 2010 - by ArtfixDaily Staff
Latifa Echakhch | À chaque stencil une révolution, 2007 | Courtesy the artist and kamel mennour, Paris
Latifa Echakhch | À chaque stencil une révolution, 2007 | Courtesy the artist and kamel mennour, Paris
Artelier Contemporary/Gallery | Eliska Bartek | Kvetoslava, 2003/04

click to enlarge

Artelier Contemporary/Gallery | Eliska Bartek | Kvetoslava, 2003/04

"Collector Power: Who Has It and Who Doesn't' is just one of the provocative-sounding talks on the docket during Art Basel. The who's who of the art world, powerful and not so much, will be among the 60,000 visitors to swarm the Swiss city of Basel for Europe's premier modern and contemporary art fair next week.

Adding an educational factor to the many special events and exhibitions that are part of the fair is Art Salon, a formidable set of talks, panels, book signings and other presentations by curators, artists, and experts. Art Unlimited is the fair's ambitious section of 56 large-scale projects (shipping costs be damned) that will fill a 17,000-square-meter exhibition hall.

The heart of the hoopla, and the meat for buyers, is the fair's Art Galleries section. Even with 99% of exhibitors re-applying to get into this year's edition, the 248 represented galleries will include 13 first-timers to the show such as New York dealer Edward Tyler Nahem.

Hopes are high for momentum from recent post-War and contemporary art auctions to buoy sales.

The $106.5 million world record price for Picasso's 1932 “Nude, Green Leaves and Bust” at Christie’s in New York last month may trigger a broad selection of top-dollar works by the modern master on the market. The Financial Times reports that Montreal-based Landau Fine Art, for one, will bring six Picassos, including “Homme et Femme Nue” (1965), with a $15 million price tag.

 

 



Categories: Art Basel, show, fair, Picasso

More News Feed Headlines
  • Julien Hudson, 1811-1844 American.  Creole Boy With A Moth, 1835, oil on canvas, courtesy of a private collection; photo courtesy of Fodera Fine Art Conservation, Ltd.
    A groundbreaking exhibition opened Dec. 9 at the Worcester Art Museum entitled “In Search of Julien Hudson: Free Artist of Color in Pre-Civil War New Orleans.” Julien Hudson (1811-1844) is the second-earliest documented portrait painter of African descent to work in the United States. Little-known today, Hudson died an untimely, somewhat mysterious death, and only fragments of his oeuvre survive to tell his story.
  • 'May,' by Alexander Motyl, $25/month to rent ($550 to buy), artsicle.com.
    A bevy of new online ventures are helping to streamline the process of buying art for both beginners and established collectors, facilitating keyboard-click access to information and galleries.
  • An installation view of the new Tuscaloosa Museum of Art: Home of the Westervelt Collection.
    Last week, the Tuscaloosa Museum of Art opened its doors, finally giving a home to the art collection assembled by Jack Warner. Earlier this year, the Jack Warner Foundation and Westervelt Company separated, leaving the fate undetermined as to where their respective collections would be housed. Several key works were sold by the Westervelt Co. at auction and privately. Now, more than 800 pieces...
  • Portrait of a Man and Woman in an Interior, painted about 1666, by Eglon van der Neer (Dutch, 1634–1703).  Oil on panel.  Museum of Fine Arts, Boston.  Seth K.  Sweetser Fund.
    At the Museum of Fine Arts, Boston, Victoria Reed is the first and only endowed curator of provenance at an American museum. Since 2010, her role has been to research objects in the museum's collections, and new acquisitions, in order to determine the right of ownership. At times, Reed's findings have led to restitution...

Enter e-mail address to receive art news daily.
Subscribe

ArtfixDaily Blogs