Influential sculptor Louise Bourgeois passes away

31 May 2010 - by ArtfixDaily Staff
Louise Bourgeois (1911-2010) Spider, 1997, bronze with dark polished patina, cast 1997 133 x 263 x 249 inches.  Bebe and Crosby Kemper Collection.  Gift of the William T.  Kemper Charitable Trust 1997.7.2

click to enlarge

Louise Bourgeois (1911-2010) Spider, 1997, bronze with dark polished patina, cast 1997 133 x 263 x 249 inches. Bebe and Crosby Kemper Collection. Gift of the William T. Kemper Charitable Trust 1997.7.2
(Kemper Museum of Contemporary Art)

Paris-born American artist Louise Bourgeois passed away Monday at age 98 in New York City. She was creating artwork just last week, according to Wendy Williams, managing director of the Louise Bourgeois Studio.

Dubbed the "the mother of American feminist identity art" by Robert Hughes in his book "American Visions," Bourgeois influenced generations of artists. She studied art at the Ecole des Beaux-Arts, Ecole du Louvre, Art Students League, and in the studio of sculptor Fernand Leger.

Bourgeois first became widely-known in her 70s when, in 1982, New York's Museum of Modern Art gave her a solo show.

In her seven-decade-long career, Bourgeois worked in a wide variety of mediums, focusing on themes of sexuality, femininity, and evoking a host of highly-charged emotions based largely on her childhood experience with a controlling, philandering father.

Among her memorable recent work was "Maman," ("or Mommy"), a giant sculpture of a 30-foot-tall spider with a basket of eggs and two little spiders by her side. Her 1997 bronze "Spider" (shown here) is in the collection of the Kemper Museum of Contemporary Art in Kansas City. One of her "Spiders' brought $4.5 million at auction in 2008.

A retrospective of her career, beginning in the 1940s, traveled to the Tate Modern in London, the Georges Pompidou Center in Paris and the Solomon R. Guggenheim Museum in New York in 2007-08.




More News Feed Headlines
  • Julien Hudson, 1811-1844 American.  Creole Boy With A Moth, 1835, oil on canvas, courtesy of a private collection; photo courtesy of Fodera Fine Art Conservation, Ltd.
    A groundbreaking exhibition opened Dec. 9 at the Worcester Art Museum entitled “In Search of Julien Hudson: Free Artist of Color in Pre-Civil War New Orleans.” Julien Hudson (1811-1844) is the second-earliest documented portrait painter of African descent to work in the United States. Little-known today, Hudson died an untimely, somewhat mysterious death, and only fragments of his oeuvre survive to tell his story.
  • 'May,' by Alexander Motyl, $25/month to rent ($550 to buy), artsicle.com.
    A bevy of new online ventures are helping to streamline the process of buying art for both beginners and established collectors, facilitating keyboard-click access to information and galleries.
  • An installation view of the new Tuscaloosa Museum of Art: Home of the Westervelt Collection.
    Last week, the Tuscaloosa Museum of Art opened its doors, finally giving a home to the art collection assembled by Jack Warner. Earlier this year, the Jack Warner Foundation and Westervelt Company separated, leaving the fate undetermined as to where their respective collections would be housed. Several key works were sold by the Westervelt Co. at auction and privately. Now, more than 800 pieces...
  • Portrait of a Man and Woman in an Interior, painted about 1666, by Eglon van der Neer (Dutch, 1634–1703).  Oil on panel.  Museum of Fine Arts, Boston.  Seth K.  Sweetser Fund.
    At the Museum of Fine Arts, Boston, Victoria Reed is the first and only endowed curator of provenance at an American museum. Since 2010, her role has been to research objects in the museum's collections, and new acquisitions, in order to determine the right of ownership. At times, Reed's findings have led to restitution...

Enter e-mail address to receive art news daily.
Subscribe

ArtfixDaily Blogs