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How Subject Matter Impacts Value in 19th Century Art - Webinar

https://www.appraisersassociation.org/index.cfm?fuseaction=Calendar.eventDetail&eventID=978

Wednesday, May 22, 2019 | 1:00pm - 2:00pm EST | Live Webinar 

Join Kevin Zweyer Anderson, AAA, for a live webinar as he discusses subject matter and how it can impact value, specifically in 19th Century Art.

Subjects to be addressed include:

  • The Fountain of Youth
  • Sex Sells (but show some modesty)
  • More Flowers Please
  • Some Animals More Equal than Others
  • Black is not always chic

Kevin will also discuss landscapes, still life, portraits, and historical paintings, and the effect that these subjects often have on value. 

1 CE Credits 

Fees (Live and On-Demand):
$40  Members
$50  General Admission

If you are unable to attend the live webinar, a recording will be sent to you afterwards.

Register online ( https://www.appraisersassociation.org/index.cfm?fuseaction=Calendar.eventDetail&eventID=978 ) or by calling 212.889.5404 x 11. 

Email confirmations will be sent upon receipt of payment; registration accepted only with payment. 

No refunds. 

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Kevin Zweyer Anderson, AAA, President of Anderson Fine Art Appraisals, is a specialist appraiser of 19th Century Art, Impressionist and Modern Art. As a Certified Appraiser, the Appraisers Association of America’s highest designation, he has appraised thousands of works of art over a career of thirty years. He joined the AAA in 1989 and has practiced continually since that time in New York and Los Angeles. Anderson now serves on the National Board of Directors of the Appraisers Association for the 2018/2020 term and is Co-Chair of the Education Committee. He is USPAP compliant through October 18, 2020.

Anderson received a Bachelor of Fine Arts degree from Purchase College, New York. He has been a respected member of the art trade since1985, commencing his career at Hammer Galleries in New York City. He was the Director of Hammer Graphics from 1986 to 1989 before joining the European and American paintings department.  He returned to his native Los Angeles in 1992 and held director and curatorial positions at two Beverly Hills galleries until 1997. He established Anderson Galleries-Beverly Hills in 1998 specializing in19th and 20th Century European masters. Anderson has written, lectured and organized numerous exhibitions on the art of this period.

Anderson is also a member of The Art and Antique Dealers League of America and the Confederation Internationale des Negociants en Oeuvres D’Art (CINOA). Anderson is a Library Reader at the Getty Research Institute in Brentwood, California.

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