Works by Ray Turner

HALF NAKED: Featuring RAY TURNER

JoAnne Artman Gallery, Presents:
HALF NAKED: Featuring RAY TURNER
FALL 2018
Artist’s Reception: Thursday, September 13th, 2018 from 6pm-8pm
Please RSVP: 949.510.5481 by September 1st, 2018

JoAnne Artman Gallery
511A West 22nd St. | New York, NY 10011
Contact:  JoAnne Artman
Telephone:  949-510-5481 | E-mail: joanneartman@aol.com
Website: www.joanneartmangallery.com

HALF NAKED

Half-Naked
adjective | half·na·ked 
1. being without clothing or covering; nude:
2. bare of any covering, overlying matter, vegetation, foliage, or the like: naked fields.
3. bare, stripped, or destitute: The trees were suddenly naked of leaves.
4. without the customary covering, container, or protection: a naked sword; a naked flame.
5. without carpets, hangings, or furnishings, as rooms or walls.
6. unassisted by a microscope, telescope, or other instrument: visible to the naked eye.
Origin of Naked: Middle English Old English
before 900; Middle English naked(e), old English nacod; cognate with Dutch naakt, German nackt, Gothic naqths; akin to Old Norse nakinn, Latin nudus, Greek gymnos, Sanskrit nagnas

Ray Turner’s work presents a duality between a forceful primality in his treatment of material, and a more cerebral retrospection of the range of human emotion that the work holds within. In Turner’s earlier series, the concept of identity was explored through the act of transformation through active participation, in the space between observer and observed as the work became an active channel. In his new work, Turner has put his emphasis on the physicality of the mark making process itself as a means of representation, further breaching the boundaries of the traditional modes of portraiture. JoAnne Artman Gallery is pleased to present Half Naked, a showing of Turner’s most recent paintings and prints focused on exploring the dichotomies behind the idiom “half-naked” that powerfully echoes our own discomfort when confronted with the illusions of safety behind all social constructs through the viscerality of the painting medium.

In Half Naked, Turner takes his explorations into the emotive potential of the portrait to the next level, as he presents a group of works that refuse to be categorized by exclusion. From work to work, Turner presents a didactic deconstruction of the visual semantics behind recognizability of form through a parsing of the gray space of the half-formed, half-naked. The representational qualities of the works rely on Turner’s mastery of form and the vast range of human facial expression. Through slightest suggestions, Turner is able to utilize the properties of his medium to create images that capture and attune to emotional states. Created as an organic process of fluid, painterly malleability, the paintings are reminiscent of the dextrous exaggerations of Francis Bacon, the mastery of form and the grotesque of Francisco Goya, and the wide, luscious strokes of John Singer Sargent.

The new body of work further explores the concept of identity through materiality and the idea of formation by utilizing materials that emphasize the painting process such as translucent mylar, acetate, vellum, and duralene. Chance, discovery, and intentionality are an integral part of Turner’s working process as he experiments with new elements such as the semi-opaqueness of mylar and duralene - materials he was initially inspired to use through the study of old anatomy illustrations. Assembly and display as part of the presentation process are another important step in Turner’s methodology as a point of visual guidance via juxtaposition.

RAY TURNER (b. 1958, Stockton, California) lives and works in Pasadena, California where he earned his BFA from Art Center College of Design. His work has been showcased in exhibits throughout the country as well as in museums and galleries in San Francisco, New York, Miami, Chicago, Boston, and Berlin.

Ray Turner’s work will inspire, provoke, engage and mesmerize. With visual perceptions always changing, peek behind the stories told and you're sure to find the right artistic expression!

Upcoming Events

Richard Hearns, Movement Countermovement, 2017, oil on Belgian linen, 180 x 135 cm, © Richard Hearns, by courtesy of Cadogan Contemporary
  • September 17 - October 5, 2018
  • London , United Kingdom

Richard Hearns: Journey 

Cadogan Contemporary
87 Old Brompton Rd
London , United Kingdom

https://www.cadogancontemporary.com/

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  • September 20 - October 21, 2018
  • Shanghai, China
Townlets, Installation detail, The Art House Wakefield, May 2018
  • September 21 - November 3, 2018
  • London, United Kingdom
  • September 21 - October 11, 2018
  • NYC, New York
  • September 22-28, 2018
  • Beachwood, Ohio
Tiffany Studios cast bronze crab inkwell with an oyster shell lid, stamped and numbered and showing an early Tiffany company logo (est.  $5,000-$10,000).
  • September 25, 2018
  • Bloomfield, New Jersey

Nye & Company Auctioneers, Sept. 25th

Nye & Company Auctioneers
20 Beach Street
Bloomfield, New Jersey

http://www.nyeandcompany.com

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  • September 27, 2018
  • New York , New York
Faith Ringgold, "Wedding on the Seine," 1991, acrylic on canvas, tie-dyed, pieced fabric border, 74 x 89 inches
  • September 27-30, 2018
  • Chicago, New York
  • September 27, 2018
  • New York, New York

"Super Bodies" Opening

Anita Shapolsky Gallery
152 East 65th Street (patio)
New York, New York

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