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An Ode to Lighthouses: Alan Claude's Travel Posters

Published: August 06, 2009 10:13 Last Updated: May 19, 2011 21:15

"Portland Head Light is the quintessential Maine lighthouse and one the most photographed lighthouses in America.  How was I going to find a unique angle on a vertical canvas that captured its dramatic beauty? I started sketching this magnificent light in March but did not find the right composition until late August when the prominent shadows gave me the depth I was looking for.  To add further drama, I reduced the number of colors I was witnessing to green granite rocks, black shadows, and a c

click to enlarge

"Portland Head Light is the quintessential Maine lighthouse and one the most photographed lighthouses in America. How was I going to find a unique angle on a vertical canvas that captured its dramatic beauty? I started sketching this magnificent light in March but did not find the right composition until late August when the prominent shadows gave me the depth I was looking for. To add further drama, I reduced the number of colors I was witnessing to green granite rocks, black shadows, and a c
(Alan Claude)
Marshall Point Lighthouse

click to enlarge

Marshall Point Lighthouse
(Alan Claude)
West Quoddy Head Lighthouse

click to enlarge

West Quoddy Head Lighthouse
(Alan Claude)

Graphic artist Alan Claude grew up in the shadow of a lighthouse, literally. On the shores of Biarritz, France, he and his older brother played day-long under a towering lighthouse while their mother worked.

When the internet age allowed Claude to move his career to Maine, lighthouses again figured largely in his experience. He and his wife were married at sunrise at the diminutive Marshall Point Lighthouse in Port Clyde. This memorable event, as well as the inspiration of a coastline spotted with lighthouses, provoked Claude to create a series of bold illustrations of Maine’s most well-known landmarks.

With American realist Edward Hopper’s crisply delineated forms and the dramatic style of 1920s travel posters as clear influences, Claude’s lighthouse works have the appearance of classic, silk-screened images, infused with a fresh and modern feel.

Skilled with pen and ink, photography, and digital illustration, Claude says he meticulously rendered these historic structures as a way of honoring them.

He told Maine Discovery Coast magazine, “They are positive symbols of vision, hope, endurance, and scenic beauty. Each has its own personality, its own characteristics.”

The series is available as limited edition, high-quality, offset lithographs in various sizes, and in a 2010 Lighthouse Poster Calendar. For more information, visit the artist's Web site.

 


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