Regina Khidekel, PhD
Regina Khidekel received her PhD from St. Petersburg Academy of Fine Arts, became the director of that city's Diaghilev Art Center in 1990, and in 1998 the founding director of the Russian American Cultural Center in New York. She is the author of "It's the Real Thing" (1999, University of Minnesota Press), and has contributed essays to the following publications: "Lyubov Popova" (1994), "Lazar Khidekel: Suprematism and Architecture" (1995), "Sterligov Group: Paintings from Russia" (1995), "Russian Constructivist Roots: Present Concerns" (1997), "Forbidden Art" (1998), "Lev Mezsberg" (1999), "Tamar Hirschl" (2000), "In Malevich's Circle" (2000), "A Life of Colors" (2001), "Surviving Suprematism" (2004), "Family Album. Artists from St. Petersburg" (2006), "Anna Rochegova" (2008), "Homage to Diaghilev's Enduring Legacy" (2009), "Trajectory of Suprematism" (2011), "Floating Worlds and Future Cities: Lazar Khidekel, Suprematism and Russian Avant-garde" (2013), "Building Drawings and Drawing Buildings" (2014), "Lazar Khidekel and Suprematism" (2014). She has lectured at many universities, and curated many exhibitions.
Russian American Cultural Center (RACC) aims to provide permanent cultural representation to more than 700,000 Russian-speaking residents of New York. It was founded in 1998 by Dr. Regina Khidekel and earned its 501(c)(3) tax-exempt status in 1999.
Lazar Khidekel and Suprematism - published by Prestel
RACC artist Lazar Khidekel
"The first book dedicated solely to this important member of the Russian avant-garde, this volume profiles Lazar Khidekel, a brilliant artist and architect whose career proves a key link in the story of abstraction.
For decades the work of Lazar Khidekel has been undeservedly overlooked by galleries and museums – primarily because the Russian avant-garde movement was interrupted midstream and forced underground by the Soviet state. This elegantly designed book provides the perfect introduction to Khidekel’s decades-long career and coincides with a recently renewed fascination with Suprematism and the development of 20th-century abstraction. A student of Chagall and Malevich, Khidekel was an artistic prodigy whose fascination with architecture led to his part in the founding of UNOVIS, or "Affirmers of the New Art." He later became a significant figure in the Suprematist movement, a distinctly Russian form of abstraction. The volume features the best examples from each phase of Khidekel’s career, from his pre-Suprematist work and early architectural and eco-futuristic projects to his post-Suprematist paintings, works on paper, and architectural projects."
More about this book can be found on the publisher's website, https://prestelpublishing.randomhouse.de/Buch/Lazar-Khidekel-and-Suprematism/Prestel-com/e454321.rhd#tabbox
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