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Given the enormous interest Fitz Henry (formerly Hugh) Lane’s artwork has generated over the years, it is perhaps only natural that little attention has been paid by scholars on Lane’s personal life. Further complicating matters is the fact that Lane left few artifacts beyond his artwork by which his daily life could be understood and “fleshed out.” With only a handful of private letters, newspaper clippings and reminiscences with which to guide us, an image of Lane has formed over time, one of a man who was dour, taciturn and lonesome. Contemporary quotes describing him as “nervous, ...

Ever since scholars began to pry into the life of the 19th century American marine painter Fitz Henry (formerly Hugh) Lane, they have been aware of Lane’s role as an art instructor to a Mrs. Mary Mellen, a personal friend of Lane’s and the unfortunate possessor of limited artistic skills.  So narrow has the academic focus been upon Mary Mellen that over time a belief has arisen declaring her to have been Lane’s only student.  Yet in-depth analysis of significant paintings combined with new testimony penned by a Mr. John Trask, Fitz Henry Lane’s next door neighbor, close personal friend, ...

Fitz Henry (formerly "Hugh") Lane’s career as an artist officially began in the year 1832, when at the age of 27, he was hired by Pendleton’s Lithography firm in Boston to serve as an apprentice. As the earliest known lithographic creation by Lane had been his "View of the Old Building at the Corner of Ann Street," 1835, it was long supposed that it had taken Lane roughly three years of instruction at Pendleton’s to master the medium of lithography.  Yet, new findings from the archives of the Boston Athenaeum now reveal that Lane pretty much hit the ground running when he came aboard ...