Sanford R. Gifford in the Catskills Exhibition Includes Walking-and-Driving Tour of Art Scenes

Sanford Robinson Gifford, Mount Merino, 1861, Oil on canvas, 11 × 22 in.  Signed and dated, lower left: S R Gifford 1860, Private collection.
Sanford Robinson Gifford, Mount Merino, 1861, Oil on canvas, 11 × 22 in. Signed and dated, lower left: S R Gifford 1860, Private collection.
  • Sanford Robinson Gifford, Double Self-Portrait, 1853.  Graphite on paper, 5 × 7¼ in.  Inscribed, lower center: June – 1853.  Photograph: Menconi + Schoelkopf Fine Art

    Sanford Robinson Gifford, Double Self-Portrait, 1853. Graphite on paper, 5 × 7¼ in. Inscribed, lower center: June – 1853. Photograph: Menconi + Schoelkopf Fine Art

  • New Studio, © Peter Aaron, OTTO, 2015

    New Studio, © Peter Aaron, OTTO, 2015

Sanford R. Gifford in the Catskills at the Thomas Cole National Historic Site, Catskill, NY, features paintings by the 19th-century landscape painter Sanford Gifford, whose work was inspired by Thomas Cole. This exhibition focuses on his paintings of the Catskills – with works loaned by Harvard, Yale, Portland Museum of Art, and other leading institutions. The exhibition opened to the public on May 2, in the gallery of Cole’s 1846 “New Studio” and runs through Sunday, October 29.

Sanford Robinson Gifford (1823-1880) was an American landscape painter and one of the leading members of the Hudson River School, the first major art movement in America, which was founded by Thomas Cole (1801-1848). Gifford credited Cole’s works with stimulating his interest in landscape painting.

The exhibition is curated by Kevin J. Avery, Senior Research Scholar at The Metropolitan Museum of Art, and is the first of this magnitude to be held so close to Gifford’s childhood home in Hudson, NY, directly across the Hudson River from Catskill. The exhibition consists of about 20 paintings, which are being loaned by such renowned institutions as the Yale University Art Gallery, Harvard University Art Museums, Portland Museum of Art, and Albany Institute of History and Art, as well as private collections, including those of the artist’s descendants.

In 2003, Dr. Avery co-organized the major retrospective Hudson River School Visions: The Landscapes of Sanford R. Gifford for The Metropolitan Museum of Art and the National Gallery of Art. In the current exhibition, he sharpens his focus on Gifford’s paintings of the Catskills, the mountains and valleys near Catskill that so inspired Cole. Gifford’s enchanting, seductive – sometimes even stark – interpretations of Kaaterskill Clove and Falls, High Peak and Round Top, as well as Hunter Mountain and the Hudson Valley prospect are richly represented.

“This exhibition brings to Catskill a remarkable set of paintings that were created by one of the leaders of the Hudson River School and that depict nearby views that can be visited today on the Hudson River School Art Trail,” said Elizabeth B. Jacks, Executive Director of the Thomas Cole National Historic Site. “The reconstruction of Cole’s ‘New Studio’ unveiled last year, with its climate-controlled environment, made it possible for distinguished curator Dr. Kevin Avery to assemble these works and for the Site to secure their loan for this exquisite exhibition.”

Six of the views depicted in the Gifford paintings in the exhibition can be visited on the innovative walking-and-driving experience called the Hudson River School Art Trail, which reveals nearby settings in the Hudson Valley where visitors can experience the same views that appear in 19th-century paintings by Hudson River School artists. Those six views are located in Greene and Ulster counties and are represented in 10 of the Gifford paintings in the exhibition.

The exhibition is made possible by a grant from the National Endowment for the Arts as well as Michael Altman Fine Art & Advisory Services, the Bank of Greene County, the Greene County Legislature through the County Initiative Program of the Greene County Council on the Arts and the Kindred Spirits Society of the Thomas Cole National Historic Site. The accompanying catalogue is supported by the Barrie and Deedee Wigmore Foundation.

 

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