As a painter, Lockwood de Forest's aim was to translate a truthful visual experience onto a flat surface. Whether working as a designer, decorator, or landscape artist, de Forest always maintained that art should have a useful purpose. Lockwood de Forest made many excursions abroad which deepened his familiarity with European painting and sculpture. It was in Rome in 1868 where he began to study art seriously, working closely with one of America's most celebrated Hudson River School painters, Frederic Edwin Church. De Forest followed Church's philosophy in which he believed the glories of nature and power should translate through the canvas. He echoed Church's credo stating, "My idea in painting is to make everyone who looks at my pictures think of real nature, and not me or the way the painting is done."
De Forest had much success as a painter, exhibiting at prestigious institutions such as the National Academy of Design and the Century Club. He painted hundreds of sketches of Californian sites, Santa Barbara in particular, as well as the Pacific Northwest, Maine, the Grand Canyon, Mexico, Massachusetts, and Alaska. Today de Forest's work is featured in the collections of many prominent American museums such as the Brooklyn Museum, Metropolitan Museum of Art and New-York Historical Society.
Lockwood de Forest
Observer of Nature
On View April 18 - May 31
Gavin Spanierman Ltd.
1044 Madison Avenue, Suite 4F
New York, NY 10075
t: (212) 249-0619 f: (212) 249-0648
The Civil War and American Art Opens at the Met
May 16th, 2013Rembrandt Peale portrait of George Washington...
May 16th, 2013CHRISTIE’S SHOWCASES MASTERWORKS OF AMERICAN...
May 19th, 2013WINTERTHUR ANNOUNCES THAT U.S. PREMIERE OF...
May 14th, 2013Sam Francis: Five Decades of Abstract...
May 10th, 2013Celebrate Leisure, Romance and Adventure in...
May 16th, 2013BELIEVED BURNED IN THE BLITZ, MARINE PAINTING...
May 16th, 2013