Central to Their Lives: Southern Women Artists in the Johnson Collection

Alma Woodsey Thomas (American, 1891–1978) Still Life with Mandolin, 1950s.  Oil on Masonite, 19 7/8 x 35 1/4 inches.  The Johnson Collection
Alma Woodsey Thomas (American, 1891–1978) Still Life with Mandolin, 1950s. Oil on Masonite, 19 7/8 x 35 1/4 inches. The Johnson Collection
  • Theresa Pollak (American, 1899–2002) Art Studio, 1931.  Oil on canvas, 43 3/8 x 35 inches.  The Johnson Collection

    Theresa Pollak (American, 1899–2002) Art Studio, 1931. Oil on canvas, 43 3/8 x 35 inches. The Johnson Collection

At Georgia Museum of Art (June 30-Sept. 23, 2018), "Central to Their Lives," organized by the Johnson Collection, Spartanburg, South Carolina, examines the achievements of women artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, it looks at the particularly complex challenges these artists confronted in a traditionally conservative region during a period in which women’s social, cultural and political roles were being redefined and reinterpreted. How did the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage and modernism mitigate and motivate women seeking expression on canvas or in clay? Working from studio space in spare rooms at home or on the world stage, the artists considered made remarkable contributions by fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts and challenging the status quo.

This exhibition includes works by Minnie Evans, Anne Goldthwaite, Clementine Hunter, Nell Choate Jones, Ella Sophonisba Hergesheimer, Alma Thomas, Mary Leath Thomas, Elizabeth O'Neill Verner and Kate Freeman Clark, in sculpture, drawing and painting.

Curated by Sarah Kate Gillespie, curator of American art.

 

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