Hito Steyerl's Landmark Video Factory of the Sun to Open at the San José Museum of Art in August

  • SAN JOSÉ, California
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  • April 29, 2021

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Hito Steyerl, "Factory of the Sun," 2015. Single channel high definition video, environment, luminescent LED grid, beach chairs, 23 minutes. Installation view from the Venice Biennale, German Pavilion, 2015. Image courtesy of the Artist, Andrew Kreps Gallery, New York and Esther Schipper, Berlin. Photography by Manuel Reinartz.
San José Museum of Art

Beginning August 6, 2021, the San José Museum of Art (SJMA) presents Hito Steyerl’s landmark video installation Factory of the Sun. This immersive work debuted at the Venice Biennale in 2015 and is in SJMA’s permanent collection, co-acquired with the Hammer Museum, Los Angeles and the Museum of Contemporary Art, Chicago in 2017.

“We were delighted to partner with the Museum of Contemporary Art, Chicago and Hammer Museum, Los Angeles, to acquire Factory of the Sun and ensure its vitality far into the future,” said S. Sayre Batton, Oshman Executive Director, San José Museum of Art. “Hito Steyerl invites viewers to reflect on important issues of our time. We are excited to activate the Museum’s galleries this summer with her work and look forward to the discussions that will occur as a result of this presentation.”

Hito Steyerl, "Factory of the Sun," 2015. Single channel high definition video, environment, luminescent LED grid, beach chairs, 23 minutes. Image CC 4.0 Hito Steyerl. Image courtesy of the Artist, Andrew Kreps Gallery, New York and Esther Schipper, Berlin.
San José Museum of Art

Organized by Kathryn Wade, SJMA assistant curator, this will be the Museum’s inaugural presentation of Factory of the Sun. Upon entry into the immersive installation, audiences will feel as though they’ve been transported into a lurid cyberspace glowing in a grid of blue LED lights. On screen, the distinctions between reality and fiction dissolve in a montage of YouTube dance videos, drone surveillance footage, video games, fictitious news, and real documentation of international student uprisings. Notions of time and space expand and collapse within this virtual world, reflecting our contemporary reality and the ceaseless transmission of images and information (and misinformation) around the globe.

Hito Steyerl, "Factory of the Sun" (video still), 2015. Single-channel video and environment. San José Museum of Art. Purchased jointly by Museum of Contemporary Art, Chicago; San José Museum of Art; and Hammer Museum, Los Angeles, through the Board of Overseers Acquisitions Fund, 2017.08. Courtesy of the artist and Andrew Kreps Gallery, New York.
San José Museum of Art

Factory of the Sun is a truly immersive experience,” shared Wade. “It creates an imaginative reality where modern warfare, corporate culture, and anti-capitalist resistance movements are played out by digitally-embodied characters. This exploration of the flow of data in our current digital landscape is a reflection on how today, we knowingly surrender our personal data to corporate interest so that we might participate, often delightfully, in the digital landscape.”

Factory of the Sun tells a surreal story of workers whose forced dance moves in a motion capture studio are turned into artificial sunshine. The story is based on an actual YouTube phenomenon (a studio assistant’s brother whose viral homemade dance videos were used as a model for Japanese anime characters) and a news story about an experiment at CERN—the European Organization for Nuclear Research facility that claimed to have measured a particle traveling faster than the speed of light.

Inspired by a quote from Donna Haraway’s Cyborg Manifesto (1985) describing machines as “made of pure sunlight,” Steyerl narrates in the video: “Our machines are made of pure sunlight. Electromagnetic frequencies. Light pumping through fiberglass cables. The sun is our factory.” The premise of machines made of pure sunlight is not a romantic one for the artist who has long attuned herself to the power of image and their electronic reproduction to manipulate our worldview.

Hito Steyerl (b. 1966, Munich, Germany) is a filmmaker, visual artist, writer, and innovator of the essay documentary. She is currently a professor of New Media Art at the University of the Arts, Berlin, where she co-founded the Research Center for Proxy Politics, together with Vera Tollmann and Boaz Levin. Steyerl has produced a variety of work as a filmmaker and author in the field of essayist documentary, filmography, and post-colonial critique, both as a producer and theorist. Steyerl attended the Japan Institute of the Moving Image and University of Television and Film Munich and holds a PhD in Philosophy from the Academy of Fine Arts Vienna. She participated in Manifesta 5 (2004) and represented Germany in the 56th Venice Biennale (2015). Steyerl has exhibited widely in solo and group shows since this time, notably at Museo National Centro de Arte Reina Sofia, Madrid (2015); Museum of Contemporary Art, Los Angeles (2016); and Centre Pompidou (2020). Steyerl is widely published in periodicals, newspapers, journals, and anthologies, as well as her own publications, including the 2017 critically acclaimed Duty Free Art: Art in the Age of Planetary Civil War.


Artists in Conversation: Hito Steyerl and Trevor Paglen
October 12, 2021 | 12pm PDT
Online. See sjmusart.org for more info.

SJMA is located at 110 South Market Street in downtown San José, California.  For more information, call 408.271.6840 or visit SanJoseMuseumofArt.org.

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